beyond magazine

Chris Ware: Drawings for New York Periodicals

New_yorker_2

 New Yorker Cover (online) Thanksgiving- Leftovers. 2006
Ink and colored pencil on paper
28" x 20"

More examples online here.

CHRIS WARE
Drawings for New York Periodicals
February 1 - March 15, 2008

"Adam Baumgold Gallery presents a recent series of original comic drawings by Chris Ware "Drawings for New York Periodicals," from February 1 through March 15, 2008. The 40 drawings in the exhibition include the complete 30 weekly drawings comprising one chapter of the in-progress book "Building Stories" which inaugurated the "Funny Pages" in The New York Times Sunday magazine in 2005. In addition, the exhibition will feature the four different Thanksgiving cover drawings that were published simultaneously by The New Yorker in 2006 as well as the fifth cover that was released only online by The New Yorker. Other drawings by Chris Ware done specifically for the New Yorker will also appear in the exhibition."

Posted by Karen on February 14, 2008 in Illustration, Reprint/Other Magazines | Permalink

ZipUSA

A favorite photo from National Geographic's ZipUSA feature:

The last thing you see in Delacroix, Louisiana, is a welcome sign. First you have to drive southeast of New Orleans along Bayou Road, a cracked two-lane blacktop that skirts run-down sugar plantations, ancient cemeteries, and live oaks dripping with Spanish moss. Go through the steel gates of the massive hurricane protection levee and try to imagine the flood that would close them. After you pass a hundred shrimp boats tied to rickety docks and roughly the same number of houses on stilts, the asphalt plays out at a faded billboard teetering on the edge of the bayou. It reads, “Welcome to the End of the World.”

Posted by Karen on January 03, 2005 in Reprint/Other Magazines | Permalink | Comments (0)

Copying and copyright.

Thanks to Jordon for bringing this article from the New Yorker to my attention.

SOMETHING BORROWED
by MALCOLM GLADWELL

Should a charge of plagiarism ruin your life?

Words belong to the person who wrote them. There are few simpler ethical notions than this one, particularly as society directs more and more energy and resources toward the creation of intellectual property. In the past thirty years, copyright laws have been strengthened. Courts have become more willing to grant intellectual-property protections. Fighting piracy has become an obsession with Hollywood and the recording industry, and, in the worlds of academia and publishing, plagiarism has gone from being bad literary manners to something much closer to a crime. When, two years ago, Doris Kearns Goodwin was found to have lifted passages from several other historians, she was asked to resign from the board of the Pulitzer Prize committee. And why not? If she had robbed a bank, she would have been fired the next day.

Although I sympathize with the taking of a phrase here or there, I do wish that Mr. Gladwell had brought up the other side of the argument. As someone who makes his living off the written word, he must know that there are lazy and unscrupulous people who happily take what others have worked on and copy without any kind of eye to homage or promotion of the work. They will then fight tooth and nail to have their copy (that they copied) protected. I do think that some of this could be solved by the simple practice of contacting someone and just asking permission.

Sometimes we ask for an excerpt from a publisher or writer and the charge is reasonable. If it is beyond our means (and they are tiny means - microscopic really - did we mention we have no ads?), we simply don't work with the material.  If someone wants more payment than we can afford, no hard feelings. They have the right to ask for that. They may have spent many hard years eating noodle soup and now they need many more expensive vitamins to keep up with daily life. We don't know and if they can get a good wage somewhere that we can't give, great for them. There are many ways to say something and although we are disappointed, we move on.

Much of the talk of copyright is mixed up with the way copyright is being held by large corporations such as Disney. But a lot of what is taken and misused is written or drawn by some little person in front of a computer or in a small studio. It's usually a person, the artist, that is getting hurt when the work is not given its due credit.

Posted by Karen on November 17, 2004 in Reprint/Other Magazines | Permalink

::::

  • ABOUT BEYOND

:::::

  • Follow us on twitter (now Hedge Society)

:::


:

We Have Issues

  • Issue 16: Small
  • Issue 15: Where We Are
  • Issue 14: Possible Worlds
  • Issue 13: Beauty

::

  • Questions from the Curious
  • Contact Us

Categories

  • Arts
  • Beyond Content: Continued
  • Beyond Recommends
  • Beyond Updates
  • Bits
  • Books
  • Buildings
  • Connect
  • Daily: Image
  • Film
  • Friday Roundup
  • Good Fun
  • Good Reading
  • How to Make a Magazine
  • Illustration
  • Inside Beyond
  • Interviews
  • Issue 13: Beauty
  • Issue 14: Possible Worlds
  • Issue 16: Small
  • Mailbag
  • Making a magazine
  • Media
  • Music
  • Place
  • Planet
  • Play
  • Poetry
  • Radio
  • Read
  • Reader Photos
  • Reprint/Other Magazines
  • Wide World
  • Writers

Beyond Privacy Policy:

  • We don't sell or trade your information. It's yours, so we don't do that.
Subscribe to this blog's feed

Archives

  • April 2009
  • December 2008
  • August 2008
  • June 2008
  • May 2008
  • April 2008
  • March 2008
  • February 2008
  • January 2008
  • November 2007

More...